Integrated Marketing Communications

Reaching Out to the Little Ones

New Heights

Throughout our marketing classes, we always discuss our "target segments" or "demographics". It seems so simple and the common age groups of 18-24 females with disposable incomes come to mind first. But don't you ever wonder how to reach a different group. What about a group who doesn't want to speak??

Well on AdWeek a recent and fascinating article about a new campaign was posted. The ANAR Foundation stands for Aid to Children and Adolescents at Risk. They are a nonprofit organization that is dedicated to helping youth through their two different programs including: ANAR Home and ANAR Telephone. The purpose of the ANAR Home is to give housing to children without families, while the second program helps children through free confidential consultation in their national call center. There mission is different then some of the other ones I have learned about in my study of nonprofits and really spoke to me because of their new campaign.

More information on their foundation can be found at: ANAR Foundation Website

How Do You Advertise Nonprofits to Kids?

This seems like something that could be impossible or unnecessary. Yet, this isn't true at all for ANAR's mission. They are an organization that wants to help all children in their welfare and safety. So how do you reach them? Well the foundation got a new way that is booming throughout the news.
Check out the link below.



How fascinating is that? This is the first time I have ever seen a marketing campaign that is directed differently to two different markets. The parents see one image and the kids see another. It blows my mind that such a simple thing could have such a heavy impact. The upper view shows a child with a message saying that
 "Sometimes child abuse is only visible to the child suffering it"
And the children under 4' 3'' see something entirely different. They look up at this child of a sad child with a bruised face. They see the message:
"If somebody hurts you phone us and we'll help you"
Both of these messages are extremely clear and short. They are specific to who can physically see to each one. For a nonprofit who is trying to reach out to children to call and get help this is a perfect way for them to see that there is a way to get help. Instead of making it something that they would immediately be pulled away from this is a clear way to make an unspoken message spoken.

I would love to see how this campaign continues and the new and other innovative ways they could reach out to children in such situations. I think this way of advertising does not seem fake or useless either. I think people will appreciate the effort this organization is making to reach out to such a difficult niche of children. According to the National Child Abuse Statistics,
"Every year 3.3 million reports of child abuse are made in the United States involving nearly 6 million children (a report can include multiple children)"
Along with this quote, this fact sheet shows more of the devastation and destruction of child abuse. This new marketing campaign may be small, but the difference it could be in someone's life is miraculous.
Statistics from National Child Abuse
By even learning a little more today about something that is happening every 10 seconds in the world, it is amazing that something like this video is going viral and that maybe more impact and help will come out of this. I am looking forward to seeing if the number of calls to the call center increases from children because of these ads and that they feel that someone out there is looking after them.


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One Ad, Two Messages

How can one ad contain two completely different messages?  I’m not talking puns- I’m talking actual wording and meaning.

ANAR, the Aid to Children and Adolescents at Risk Foundation in Spain, has found a way.  Their recent ad campaign launched this past week and utilizes lenticular “top layer” technology that allows viewers of different heights to see different messages.  If you are below 4 feet 5 inches (the average height of a child), the ad you will see is a picture of a young boy with bruises and a message that reads “If somebody hurts you, phone us and we will help you” along with the foundation’s phone number.  Any taller than this and you will see a message that says “sometimes child abuse is only visible to the child suffering it.”  This is taking social responsibility and directness to a whole new level.

The goal here is to provide a communication channel where the foundation can offer their help to abused children even if their aggressor is walking with them on the street.  Adults won’t be able to see the message, but any child walking past it will.

I think this is a brillant initiative that not only brings awareness to the foundation and child abuse, but also provides a direct message in what was originally conceived a safe channel.  That being said, I agree with most when saying that launching YouTube videos and announcing the campaign online takes away from it’s effectiveness. Now all adults, including aggressors, know what the true message of the ad says.

Sources:

http://gizmodo.com/this-ad-has-a-secret-anti-abuse-message-that-only-kids-493108460


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How to create a fashion following

How J.Crew became a fashion powerhouse by reinventing preppy chic and integrating all of their marketing initiatives

crew

Recently I have been obsessed with J. Crew.  Yes, I have jumped on this bandwagon late, considering the countless fashion blogs obsessed and dedicated to J. Crew.

My obsession goes beyond the variety of chambrays, bold stripes, and playful lobster and sail boat prints. I idolize their runway preppy chic, but my current obsession stems from their CEO Mickey Drexler and President Jenna Lyons.  Within the past ten years they have created a fashion power house- a fashion following if you will- that has stepped up and reinvented “preppy,” so drastically different than the way it was when I was growing up.

Not only have the clothes taken a full 360, but so has their entire aesthetic and image.

For the past two weeks I have been researching Mickey Drexler for a leadership paper for my management class at Elon, and one thing that the President Jenna Lyons told Fast Company struck me:

“There were a lot of really talented people, but they were all doing their own thing, and it looked like it. [J. Crew] was bifurcated and fractured. It didn’t come together.”

And she was so spot on.  Researching for our ABAN marketing strategies project this semester made me realize how vital it was for a brand-especially in the fashion industry- to have a cohesive, strong, image on every platform they present themselves.  Everything needs to look in unison and on the same page.  If even one outlet is slightly different, it deters from the power of their image.

the fabulous J. Crew President and fashionista Jenna Lyons, pursuitist.com

the fabulous J. Crew President and fashionista Jenna Lyons, pursuitist.com

Mickey Drexler and Jenna Lyons revolutionized J. Crew’s clothing lines and overall fashion identity, but they also took the initiative to unite all of J. Crew’s communication channels. According to Fast Company, “Lyons believed that to create a coherent brand and drive the business forward, every piece of the creative organization–from retail to catalog to web–had to be unified”; and that is exactly what Lyons did.

Everything got a facelift- the retail stores, website, and monthly catalog.  Similar to Mickey Drexler’s  ”everything is in the details” philosophy  Lyon’s pours over every detail of every cashmere and every website link.

One of the most important focuses Lyons had was uniting the website and catalog into one cohesive force.  She told Fast Company that originally their were different teams of merchandisers working on the catalog from the website- and it annoyed her that you could tell.  They didn’t have the same feel or style whatsoever.

Going on J. Crew’s website or receiving one of their catalog’s in the mail, you can tell that has changed.  Whether you are clicking through online or flipping through the pages at home, you instantly feel like you are looking through a glamourous fashion magazine.  They have their own identity  they own styling.  They use clever headings like “pops of polka dots” and professional editorial photo shoots in exotic locations.  You don’t feel like you are being sold products, but instead like they are presenting you with a new look and all of the means of achieving it.

As much as I love shopping online, I ADORE their catalog.  Despite the demise of mail promotions, J. Crew has found a brillant way to keep their monthly catalogs fresh and at the forefront of their marketing campaign with over 40 million copies distributed every year.  Renamed “J. CrewThe Style Guide,” their new catalog takes their website a step further by showing new and improved ways to pair and wear your favorite J. Crew items.  The Style Guide has even been praised by fashion bloggers including A piece of Toast.

So, why do print catalog’s still work? Because the J. Crew customer wants the availability of fashion at every outlet:

“Our twenty-something customer makes little delineation between channels.  She or he enjoys viewing our catalogue online, in her mailbox or on his phone, so we make sure our fashion is always available no matter where our customers want to view it,” Express CMO Lisa Gavales said. “That said, we haven’t seen any virtual viewing work as well as a good, old fashioned paper catalog.”

Clearly something is working- since Drexler became CEO in 2003, annual revenue has more than tripled to $2.2 billion.  

 

 

This post is a part of a series of posts for Integrated Marketing Communications class that explores strategies of integrated marketing communications and recognizes strong and weak branding strategies today.


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Barnes & Noble’s Biggest Hurdle

We still have books?

Yes despite the recent e-textbook and iPad revolution, physical books still exist.  The real challenge that Barnes & Noble has been facing, comes from the electronic versions of all of their books, which is hurting their bottom line.  The company still sees a great deal of consumers coming into the stores, the problem is that people do not always leave with books.  They then buy them on their tablets, and not from B&N. 


Current Strategy

The company this past weekend chose to cut the prices on both of its NOOK lines of tablets in order to jump start sales for 1 week ahead of Mothers Day.  Analysts say its actually making the company sell the tablets at a loss in the hopes that these consumers will buy a lot of books from them.  What B&N forgot was that they recently added the Android store "Google Play" to their devices that actually could allow the tablets to download books from other retailers besides B&N. 


Planned Strategy

Barnes& Nobles largest hurdle that it needs to immediately overcome, is the overhead on their stores.  They are not making enough dollars per square foot.  We know the typical B&N outlet to be large (the size of a medium supermarket), with a built in Starbucks location.  Their future marketing strategy is to feature more of the digital appeal, with less stock on hand.  So they really plan to cut their store size in order to focus more on their tablet purchases. 

Future>>>

What they would do is expand their seating area and allow the location to still serve as a place to read and do work at the Starbucks.  The appeal to come and buy books would be a lower price for the books when they are in the location.  It is difficult, even after researching this to think about B&N in this way.  It reminds us of the other major retailers in a specific industry facing issues such as Best Buy. 
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To The Real World & Beyond


Like so many college students, I am in the middle of the dreaded post-graduation job search. As one of my classmates put it, we are always marketing ourselves in one way or another. This is especially true during this trying time, when we’re all vying for attention. The perpetual question is, how do we set ourselves apart from the rest? In the marketing and advertising industry, there is a lot of wiggle room to answer this question.

Take Jannic Nielssen. As a Jamaican and Norway citizen, Nielssen studied at Millikin University in Illinois on a student visa. After graduation however, he had until May 1st, 2013 to find a job, or he had to leave the country. To better his chances of getting noticed among his competitors/fellow classmates, Nielssen built a creative CV called KickJannic.


 KickJannic is an interactive online CV modeled after the crowdfunding site Kickstarter. In lieu of project information, Nielssen showcases his references, job experience, and past social media projects. And instead of asking visitors to pledge money to projects, the site asks visitors to pledge an internship, an email conversation, share the page with their social media networks, or the big kahuna—a job. Not only is the idea innovative in itself, but it sets Nielssen even farther than the rest because everyone who shares this site is an advocate of him and his ability. A lot of jobs these days are joined through networking and having someone to vouch for you from the inside. You can proclaim your merits all day long, but when others start to do so too, that’s when you know you’ve got something special. As you’d expect, the project was successful, landing Nielssen a job at Thrillist Media Group in New York City.

Pick me!
But with all of the resumes, CVs, and LinkedIn profiles on the web, it’s hard to have a successful online project like this if you don’t have a strong online following; Nielssen has 850+ Twitter followers and over 9 million YouTube views. I’ll admit that this find was slightly terrifying—this is what I’m up against? It sparked some reflection on what I have to offer that not many others can. I may not have a huge Twitter following, and I’ll admit my Klout score is nothing to write home about—but I do have some real world agency experience under my belt, and this blog to show that I know what I’m doing. Nielssen may be off the market, but I'm still searching... 


Sources:
http://www.psfk.com/2013/04/kickstarter-digital-resume.html
http://www.kickjannic.com
Image: http://newsletter.schoolbox.com/2011/05/05/attention-grabbers-keep-their-attention-even-in-may/ 

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Room to Grow For Facebook

Pay to Keep the Ads Away

According to this recent FastCompany article, Facebook only makes about $11 a year per individual user, and is looking to stray from their motto of "its free and always will be." While Facebook is not planning on adding a usage fee, they are exploring the ad space currently being delivered via news feed pages both online and on mobile apps. There are two main motivators behind this idea- first, users are beginning to get overwhelmed and annoyed with the amount of advertising appearing on their pages. Second, Facebook is beginning to learn that there needs to be an additional revenue source in order to keep the relatively recent public company growing.


Will This Be Successful?

While there is definitely a need for this option to be created by Facebook, the question is more about the  actual size of the need. If only a small percentage of users would actually pay to remove ads from their page, this may not be a feasible or worthwhile implementation. Personally, I don't think I would be willing to pay an annual fee to remove a relatively small distraction from my page. Other options, though, including updated security features? Definitely. I hope something similar is next for Facebook.

Other Ideas And Effects

Aside from being a potential revenue success for Facebook, I do believe the company needs to evaluate the branding effects this could have. The FastCompany article mentions this "could steer Facebook's business, a service that has remained free since its inception in 2004, toward a freemium-based model." A "freemium-based model" is one that attracts users with its free sign-up fee, but then offers several levels of paid features. In my opinion, I believe this may take away from the simplicity of the original Facebook model (which paid games and "gift" options have already done). However, in the end, customers may not care about the change in business-model so long as the benefits outweigh any other effects. This is an interesting topic to discuss, and like the article says, no one will know for sure how Facebook users will react until the option is actually made available. One more thing...how will companies react if/when Facebook decides to allow users to literally block these ads? Hm...



Sources: 
http://www.ninjamarketing.it/ 
http://www.fastcompany.com/3009159/where-are-they-now/what-if-you-could-pay-facebook-to-keep-ads-out-of-your-newsfeed-and-prote


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Making boring things fun

Source: saferoutespartnership.org

The Fun Theory by Volkswagen


In 2009, DDB Stockholm created a campaign for Volkswagen with the intention of changing people’s behaviors to better ones. The whole campaign is based on the idea that fun can change people’s  behavior and they proved it using different experiments.
Rather than using normal advertising, the agency created inventions in daily settings and also encouraged others to come up with their own ideas. 

The “Piano stairs” was placed in a subway station next to the escalator; it consisted of a staircase rebuilt as a giant piano to see if people would go up the stairs instead of the escalator. Each stair would sound as a different piano key, making fun melodies every time someone used the stairs. Videos proved that people were actually using the stairs more simply because there was fun included. The video below shows camera footage of the Piano Staircase:



Another "activity" created by Volkswagen is the Fast Lane consists of a slide next to a long staircase in Berlin. The people in Berlin had the choice of taking the stairs or have a little fun and move faster through the red slide.



Volkswagen, with the help of applicants’ ideas, is taking advantage of The Fun Theory to promote safety and environmental awareness. Nevanja Stojanovic from Serbia came up with an idea to promote the use of the seat belt. The children were able to watch television inside the car once they put their seat belt on, otherwise it would not turn on.




The Award Winner


The award winner for the whole Fun Theory was the speed camera lottery. The speed camera lottery in Stockholm was Kevin Richardson’s idea and it consisted of rewarding people for obeying the speed limit. Before the idea came out, the average speed were 19.88 mph and after the test the average speed came down 4.35 mph, lowering the average speed 22%.




Volkwagen is still very successful with their Fun Theory and were able to prove that people did not mind changing their behavior to good if there was fun included. It’s all about understanding an issue and finding new ways of looking at it.
Check out their Facebook page for more updates on The Fun Theory.


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A Fire In Your Bottle, Rather Than Your Belly


Heineken is arguably one of the most popular and recognizable beer brands available. High school kids know it, college kids know it, parents know it, grandparents know it. A large part of its brand recognition is the green bottle. Heineken is not the only bottle to be housed in a green bottle (Stella Artois, Yuengling, Becks, and Dos Equis rock the green as well), but it certainly is the only brand that makes the bottle an integral part of its image. Which is great and all, but what about when the lights go down and all you see is a beer bottle silhouette?



Think about it: alcohol is standard fare in venues with dimmer lighting, e.g. bars and clubs. How can you show consumers what their fellow patrons are drinking if it’s too dark to see the bottle color, let alone the label? For Heineken, the answer was to make the bottle an active part of the experience.

During Milan’s Design Week in April, Heineken introduced Heineken Ignite, the first interactive beer bottle. The bottle is outfitted with lights, which can pulse and blink in response to sound and motion, thanks to micro sensors and wireless technology. Once you clink the bottle in salute with other drinks, the bottle ‘ignites’—from then on, the light pattern depends on what you’re doing. Sipping from the bottle causes the lights to pulse, while holding the beer on the dance floor leads to a light show that corresponds to the music. And when the bottle just sits on the bar, the lights shut down.

Just as in my last post, a small innovation completely changed the dynamic of this product. By adding these interactive lights, Heineken went from being an accessory to being part of the experience. So while Budweiser and Yuengling bottles are hidden in the crowd, Heineken bottles will be the center of attention—find them on the dance floor.




Sources:
PSFK article: http://www.psfk.com/2013/04/heineken-interactive-smart-bottle.html
Heineken Ignite Tumblr post: http://heinekenignite.tumblr.com/post/47457321990/heineken-ignite-background
All images from cited sources, except for black bottle (courtesy of ClipArt).

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How Now Purple Cow




Earlier this semester, my IMC class read about entrepreneur and author Seth Godin’s ideology behind the Purple Cow. In short, a Purple Cow is Godin’s term for a truly remarkable product or company, one that would really shine amongst “a crowd of perfectly competent, even undeniably excellent cows.” (You can read more about Seth Godin’s Purple Cow here. LINK TO FC ARTICLE) In this day and age, it’s increasingly difficult to find a truly remarkable idea. It seems like all the good ideas have been taken, and any other ideas just aren’t feasible or sustainable. Well, ladies and gentlemen, I believe I have found a Purple Cow.




            Goodwill and The Salvation Army Family Store, hospice stores and secondhand boutiques. We all know thrift stores, and after Macklemore’s hit song, “Thrift Shop,” these shops are more popular than ever. Despite the vast number of thrift stores, and the various organizations behind the shops, they all receive their wares in the same way—donations. The behind-the-scenes process is tired and worn out. But there really isn’t any other way to set up the donation system—right? Wrong! Brazilian advertising agency Loducca and the VillaLobos Mall in São Paulo came up with a Donation Purple Cow. Instead of the age-old standard donation process, the two collaborators established “A Loja Vazia,” or “The Empty Shop.”



            In essence, A Loja Vazia is the same as any other thrift store. But here’s what it does differently:
  • Rather than a dingy space, the store has a clean, minimalist feel to it. That vibe translates to the clothes: new, modern space = new, modern clothes—despite being donated.
  • To encourage donations of gently used clothing, employees create outfits from the donations, and display them as fashion looks, much like we would see in the window of any clothing store.
  • The space is filled with donations during the day, and emptied out at night. Every morning, it's a new, clean space.

The store was opened to help stimulate a winter clothing drive, but the concept can be applied year-round. Already, malls from around the world are taking note of this Purple Cow, so the concept has been open sourced. It’s had a pretty big impact for such a small change. Change the look, change the game, reap the benefits.


Sources:
Purple Cow image: http://www.sethgodin.com/purple/
A Loja Vazia image: http://g1.globo.com/sao-paulo/noticia/2013/04/shopping-em-sp-cria-loja-para-receber-roupas-da-campanha-do-agasalho.html
A Loja Vazia article: http://www.fastcocreate.com/1682882/a-fashionable-store-where-the-clothes-are-your-own
Seth Godin's Purple Cow Concept (Summary): http://www.fastcompany.com/46049/praise-purple-cow

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The Beginning of the End of Broadcast Television


            Ever since the early 1950’s, network stations like CBS, ABC, or NBC have offered free television content to anyone with an antenna and a screen to watch it. These days, the content is still free. However, we use channels such as cable or satellite for our television viewing. Recently, a company by the name of Aereo resorted back to the use of Antennas. The company allows residents of the Metro New York area to subscribe and watch traditional broadcast television over the internet. Basically, Aereo snatches network broadcasts out of the air and offers them to viewers over the internet. Aereo offers many amenities that many broadcast viewers may not get. You can pause or rewind from almost any mobile device, such as an iPad, iPhone, etc. One may also set their remote DVR to watch it at their own convenience and with Apple or Roku it allows one to watch it on their big screen as well.

How It Works
            Aereo has thousands of min-antennas at its data center in New York, all of which have high definition reception. The data center also has massive amounts of storage space and high speed internet capabilities. This offers you a simple, yet elegant interface to control the broadcast network of your choice, through the internet and almost any device. In addition, it is all without any chords, cables, or boxes.

The question still remains how Aereo is on the cutting edge of internet television viewing. It is very similar to that of Hulu, Netflix, and Amazon Prime. The difference is that Aereo makes money where the other major Networks like FOX or ABC are not. Marketers and advertisers are attracted to where the viewers are and more viewers on Aereo means less advertising on broadcast stations. The Chief Operations Officer of FOX Broadcasting, Chase Carey was quoted saying “If Aereo is allowed to continue, FOX Broadcasting and all its affiliates will stop broadcasting over the air and go to all-cable” CBS, NBC, and ABC have all agreed to follow suit behind FOX. If this happens, it would mean the end of an era that has lasted since the early 1950’s when “The Honeymooners” was first aired. Thus far, none of the other major networks have weighed in but the Spanish TV giant Univision has made a similar statement to that of FOX.
Although Aereo’s business model is simple and a little sloppy it is effective and almost full proof. It is based off a 2008 court ruling that applied to Cablevision’s “cloud-based” DVR service. It had the same model as Aereo and was sued, but won in court. Like Cablevision, Aereo claims that its service is merely an extension of one’s own cable box as well as ones right to watch broadcast television freely. PBS and Fox are currently leading this losing fight to put Aereo out of business, but so far have not provided a winning legal argument. Just a few weeks ago an appeals court in New York rejectedbroadcasters’ request for an injunction to shut down Aereo. Therefore, this legal battle will most likely go to trial.

Aereo currently plans on expanding to the 22 largest cities in the country, which would completely shake the broadcast industry. You can imagine how this probably has broadcasters fuming at the prospect of this happening. So far, only 5% of viewers gave up on paid television in the past year, but that number is growing steadily. This situation has many companies reevaluating their models. If Aereo can successfully implement this national attack then all the major networks plan on moving to all paid television. Even HBO Go is talking about potentially offering its content to non-HBO subscribers. Aereo has surely proven to be a strong force in this industry already. 



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